embrace flaws
take pleasure in mishaps and regard them as a manifestation of the
work
experimentation informing each new work
primitive markings
reverberation change development
patterns repetition obsession
random
influence
distillation
connections relationships mimicry
questions
order disorder
fundamental intervention
non-permanent
visitation
a moment in time
using my hands
free organic
process
getting away from a recognisable object to create a presence
inviting the viewer to engage and create a definition |