Purgatory &
Hell, Part 1
Mackintosh, like Jordan and Griffiths,
has an incidental psychological approach to practise, working quickly
to produce a large number of stream of consciousness drawings. His
bleating scrawls are then quickly cut out from wood with a jigsaw,
creating panels that could grace Dante’s genocidal dining
room.
The delirious hatred and camp Hammer Horror effects are heightened
by Mackintosh’s fine craftsmanship. Despite being troubled
by outpourings of blood having made the parquet flooring slippery,
we know we are safe.
Extract from exhibition essay by curator Dr Neil Mulholland
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